America on Film: Representing Race, Class, Gender, and Sexuality at the Movies

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Contents

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  3. America on film : representing race, class, gender, and sexuality at the movies
  4. America on Film (2nd ed.)

Further Screening. The Concept of Whiteness and American Film. Seeing White. Looking for Respect: Italians in American Cinema. A Special Case: Jews and Hollywood.

Case Study: The Jazz Singer Veiled and Reviled: Arabs on Film in America. Conclusion: Whiteness and American Film Today. African Americans and American Film.

African Americans in Early Film. Blacks in Classical Hollywood Cinema. The Rise and Fall of Blaxploitation Filmmaking.

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Box: Blacks on TV. Hollywood in the s and the Arrival of Spike Lee. Black Independent vs. Case Study: Bamboozled Native Americans and American Film.

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The American "Indian" Before Film. Ethnographic Films and the Rise of the Hollywood Western. The Evolving Western. A Kinder, Gentler America'. Case Study: Smoke Signals Conclusion: Twenty-First-Century Indians'. Asian Americans and American Film. Silent Film and Asian Images. Asians in Classical Hollywood Cinema.

Contemporary Asian American Actors and Filmmakers. Case Study: Eat a Bowl of Tea Latinos and American Film. The s to the s: Back to Business as Usual'. Expanding Opportunities in Recent Decades. Conclusion: A Backlash Against Chicanos'. Classical Hollywood Cinema and Class. Setting the Stage: T.

Particularly valuable are the 28 two-page case studies e. These analyze the films in terms of culture group. A model of sociological criticism and an invaluable tool in classroom or library for film students. It's an invaluable resource for classes examining the politics of Hollywood.

America on film : representing race, class, gender, and sexuality at the movies

I currently use Benshoff and Griffin's book in my introductory film class on multiculturalism, and I look forward to using this new edition. Show More Show Less. Any Condition Any Condition. See all 6. Ratings and Reviews Write a review. Most relevant reviews. The Style of Hollywood Cinema. The Business of Hollywood. The Classical Hollywood Cinema. A Special Case: Jews and Hollywood. Case Study: The Jazz Singer Blacks in Classical Hollywood Cinema. The Rise and Fall of Blaxploitation Filmmaking. Sidebar: Blacks on TV. Black Independent Film vs. Case Study: Bamboozled Ethnographic Films and the Rise of the Hollywood Western.

The Evolving Western. A Kinder, Gentler America? Case Study: Smoke Signals Asians in Classical Hollywood Cinema. Asian American Actors and Filmmakers Today. Case Study: Eat a Bowl of Tea The s to the s: Back to Business as Usual? Expanding Opportunities in Recent Decades. Case Study: My Family Familia Hollywood and Unionization. Class in the Classical Hollywood Cinema. Case Study: The Grapes of Wrath Conclusion: Re-cloaking Class Consciousness.

America on Film (2nd ed.)

From Opulence to Counterculture. Case Study: Bulworth Conclusions: Corporate Hollywood and Labor Today. Sidebar: Class on Television. Early Female Filmmakers. Images of Women in s Classical Hollywood. World War II and After.


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Case Study: Gilda Conclusion: Complicating Mulvey's Arguments. Masculinity and the Male Movie Star. Case Study: Dead Reckoning Masculinity in s American Film. Into the s: A Backlash against Women? A New Generation of Female Filmmakers. Conclusion: Gender at the Turn of the Millennium. Heterosexuality, Homosexuality, and Classical Hollywood.

Hetero Sexuality on Screen. Homo Sexuality in Early Film. Censoring Sexuality during the Classical Hollywood Era. Postwar Sexualities and the Weakening of the Production Code.

Camp and the Underground Cinema.